The Journaling of Clemensen 382



Khomus's #P2V9UGG9 Clash Royale Player Profile

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Nadishana is a multi-instrumentalist, composer and sound designer from Siberia, who creates his own unique and innovative approach to world fusion music - the creative synthesis of different musical traditions of the world on the basis of contemporary technologies. You can stop the tongue vibrations by a sudden inhalation, as well as by embracing its end with lips. The latter is more efficient than the former and is comfortable when you gradually stop the sound. Life is tough, I'm not half the jew harpist I wish I was, however I can still pay homage to this silliest of instruments in list form.
The teeth should be sitting on the beveled edge of the harp…not the top, but on the beveled edge. Press the harp very firmly against your teeth. It is essential that you press the jaw harp firmly against your teeth with your left hand, otherwise it vibrate on your teeth and feel uncomfortable and not make much sound. Also, keep your tongue out of the way.
For more than 3,0000 years, the Yakut (the common name for the Sakha) have honored the Khomus (mouth harp) as a national symbol central to their existence. The Khomus is integral to shamanism, the traditional religion of the Yakut, which regards the instrument as the feminine counterpart to the sacred shamanic drum.
You already know this part, and it is a good thing because if you didn't, I couldn't explain it. I am working on the assumption that you can talk; that your ear instantaneously receives sound and redirects your tongue in an incredibly complex performance that we usually take for granted by the time we are 5 years old. Speech and Jew's harp playing are a lot alike.
This effect is more clearly shown when all even and odd overtones are plotted. The volume of the respective played notes (peaks) was compared to the adjacent peaks. For this purpose the mean dB-value of the respective two adjacent peaks was substracted from the value of the central peak. When the resulting difference is positive, the played peak protrudes from its surroundings - the played tone can be clearly heard. Figure 9 shows the mean of differences for odd overtones and even overtones (error bars show standard deviations).
After choosing the form and sizes of your future jew's harp you need to do its model of soft aluminum wire. Having straightened it we can measure the necessary length of the billet for the frame. So also we know now the placing of its bending. The frame is made of steel 6mm bar 12Х18Н10Т (it is stainless steel). We need to saw off a billet of a necessary size, leaving a small reserve. We grind the necks at the border of arms passage (the straight segment) to the loop, decreasing the diameter of the material.
Held firmly in the left hand between the palm and the fingers, the Jew's harp is pressed between the teeth, is struck using the forefinger, the middle finfer or the thumb (depending on which tradition from which country) of the right hand to create sounds.
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